I'm very happy in my 18th century worker's cottage in Kent and playing my music for the dog-walkers paused outside.
When I wrote about Mary Wollstonecraft, I found that here she was, in the late 18th century, going to work for the 'Analytical Review.' What was the 'Analytical Review?' It was a magazine that dealt with politics and literature.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
I went with the old adage that you should write what you know. What I knew was 18th century Britain, so what I decided I would do is write a novel based on my dissertation research.
The nation of 2019, exponentially wealthier, appears to have a fraction of its former self-belief and little faith in its capacity to solve the latest in a long line of housing crises that stretch back to the 18th century.
There were no vampires of note in Western literature until about the 18th century. But they tell us where we park our anxieties, whether its over-powerful women, death or damnation. We make our own monsters.
Also, an area that interests me - and it will probably take years to state what I mean - is the period of the rise of democracy, with Tom Paine, which is around the turn of the 18th century into the 19th.
Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
To make a love story, you need a couple of young people, but to reflect on the nature of love, you're better off with old ones. That is a fact of life and literature - and of the novel ever since it fell in love with love in the 18th century.